Packer currently lives and works in New York, and is Associate Professor of Painting at RISD. Her work was included in the 2019 Whitney Biennial and P.5 - Prospect New Orleans (2021). Her first solo institutional exhibition, Tenderheaded, was shown at the Renaissance Society, Chicago, IL (fall 2017) and the Rose Museum at Brandeis University, Waltham, MA (spring 2018). Her work was most recently featured in two major solo exhibitions: Jennifer Packer: The Eye Is Not Satisfied With Seeing, the largest survey of Packer’s work to date, presented at Serpentine Galleries, London (202o) and the Whitney Museum of American Art, NY (2021-22), and Jennifer Packer: Every Shut Eye Ain’t Sleep at the Museum of Contemporary Art, Los Angeles, CA (2021-22), her first exhibition on the west coast. She was the 2012-2013 Artist-in-Residence at the Studio Museum in Harlem, and a Visual Arts Fellow at the Fine Arts Work Center in Provincetown, MA, from 2014-2016. Parker’s drawings prompt and provoke her paintings, performing a unique role all of their own. “I hope to make works that suggest how dynamic and complex our lives and relationships really are.”īorn in 1984 in Philadelphia, Jennifer Packer received her BFA from the Tyler University School of Art at Temple University in 2007, and her MFA from Yale University School of Art in 2012. The Eye Is Not Satisfied With Seeing highlights her drawings for the first time, with such enigmatic works as Swim (2011) in which a body drifts through a murky pool, a piece of rope dangling nearby that sparks images of the hangman’s noose. “I think about images that resist, that attempt to retain their secrets or maintain their composure, that put you to work,” she explains. Suggesting an emotional and psychological depth, her work is enigmatic, avoiding a straightforward reading. Packer’s paintings are rendered in loose line and brush stroke using a limited color palette, often to the extent that her subject merges with or retreats into the background. The models for her portraits-commonly friends or family members-are relaxed and seemingly unaware of the artist’s or viewer’s gaze. Packer views her works as the result of an authentic encounter and exchange. Embracing dissonance, she creates paintings that contradict themselves. Whitney Museum of American Art, New York Promised gift of Miyoung Lee. Jennifer Packer creates portraits, interior scenes, and still lifes that suggest a casual intimacy. The Artists Voice: Eric Mack with Jennifer Packer and Jessica Bell Brown. Jennifer Packer, The Body Has Memory, 2018.
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